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This work aims to tension the permanences and ruptures of Audiovisual Journalism in the twenty-first century on the TikTok platform. To this end, based on a literature review, part of the idea of everyday life, historically contextualizes the emergence of the platform, highlighting the journalistic importance in contemporary times, recovers the pillars of journalism brought by Groth (2011), especially the present day, highlights the relevance of algorithmic value and, finally, identifies the audiovisual production on TikTok screens, identifying the formation of a specific audiovisual grammar, even if combined with practices of recirculation of television news content.
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